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Nodame Cantabile

Nodame Cantabile • Chapter 142 • Page ik-page-309960
Nodame Cantabile • Chapter 142 • Page ik-page-309952
Nodame Cantabile • Chapter 142 • Page ik-page-309944
Chapter 142
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About This Chapter
"Hay in celebracion tion" is the title of this short scene from the opera La Sonnambula. It's about the success of Miyoshi's concert in Japan. Miyoshi and his wife enter the theater, and Miyoshi congratulates his wife on her successful debut. He tells her that he's going to be her "family" soon enough. He also tells her how much he admires her performance, and how he thinks she's a great singer. She tells him that her parents were worried that she'd be allowed to do a few parts at a training college, so she went straight to the opera to try her hand at it. She's glad to hear that Miyoshi is a great conductor, because she thinks he works all over the world. She also tells Miyoshi that she wants him to promise to come back to her in the future, because he has a big tour coming up. He says that he needs to get experience singing with chestras, which is a type of music that's popular in the U.S., so that he can advance his career. He asks Miyoshi where he would go if he were a "bold stranger" like Miyoshi, who doesn't believe in love and virtue, but is guided by "death and vengeance." Miyoshi says that the role of "sarastro" is a "brute and a tyrant" . He's not guided by virtue, he says, because it's "not in your case." He also says that his only snack of the day was the part of "mono statos" , a role he'd always wanted to play, but didn't get the chance to do because he wasn't good enough for the part. He wants to sing with the audience,
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Nodame Cantabile

Nodame Cantabile • Chapter 142 • Page ik-page-309960
Nodame Cantabile • Chapter 142 • Page ik-page-309952
Nodame Cantabile • Chapter 142 • Page ik-page-309944
Chapter 142
This is a locked chapterChapter 142
About This Chapter
"Hay in celebracion tion" is the title of this short scene from the opera La Sonnambula. It's about the success of Miyoshi's concert in Japan. Miyoshi and his wife enter the theater, and Miyoshi congratulates his wife on her successful debut. He tells her that he's going to be her "family" soon enough. He also tells her how much he admires her performance, and how he thinks she's a great singer. She tells him that her parents were worried that she'd be allowed to do a few parts at a training college, so she went straight to the opera to try her hand at it. She's glad to hear that Miyoshi is a great conductor, because she thinks he works all over the world. She also tells Miyoshi that she wants him to promise to come back to her in the future, because he has a big tour coming up. He says that he needs to get experience singing with chestras, which is a type of music that's popular in the U.S., so that he can advance his career. He asks Miyoshi where he would go if he were a "bold stranger" like Miyoshi, who doesn't believe in love and virtue, but is guided by "death and vengeance." Miyoshi says that the role of "sarastro" is a "brute and a tyrant" . He's not guided by virtue, he says, because it's "not in your case." He also says that his only snack of the day was the part of "mono statos" , a role he'd always wanted to play, but didn't get the chance to do because he wasn't good enough for the part. He wants to sing with the audience,
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