The narrator tells us that he's looking for a bassoonist, and that Paul dubois is there with a bassoon. The narrator says that the bassoon has more keys than the bas, but it's also harder to play. He also notes that the bas has not changed much since the early days of the twentieth century, so Paul will be able to revive it with his "incredible sin movement." The narrator is glad that Paul is back with the orchestra. He's so happy that he can't wait to see what the future holds. The orchestra is still in Japan, and the depriest has been notified of all of the requests. The depriest is also in Japan right now, attending a music festival. Jim is sorry to hear that the auditions were so hard, but he thinks that it must be because the orchestra needs a bigger paycheck.
The narrator tells us that he's looking for a bassoonist, and that Paul dubois is there with a bassoon. The narrator says that the bassoon has more keys than the bas, but it's also harder to play. He also notes that the bas has not changed much since the early days of the twentieth century, so Paul will be able to revive it with his "incredible sin movement." The narrator is glad that Paul is back with the orchestra. He's so happy that he can't wait to see what the future holds. The orchestra is still in Japan, and the depriest has been notified of all of the requests. The depriest is also in Japan right now, attending a music festival. Jim is sorry to hear that the auditions were so hard, but he thinks that it must be because the orchestra needs a bigger paycheck.