Lin Fan tells the audience that he is grateful to the artist for speaking out against him. He says that the artist is a "small artist from before" who has been "attacked" by the artist in the past. Lin Fan asks why the artist has to bring up the "jin ling" production procedures in front of the piano, and the artist replies that he does not know what brand the artist comes from, and that the artists are from the same "don't all reason." Lin Fan then asks why he has to do this now, when the chess piece is better than he had expected. He wonders how he can create such an opportunity, and wonders why he should not go into the piano room to watch the piano player practicing. The piano player, he says, looks like he is waiting for the driver to arrive, and Lin Fan knocks on the door. The driver has already arrived, and he asks Lin Fan to teach him how to play the piano. He tells her to sit up straight, straighten her waist, and let more of her weight lean forward, and then he will teach her how to line up her elbow on the piano so that she will be able to play on the same level as the keyboard. He then asks her to straighten her wrist and place her foot close to the alright, and if she cannot do so, he will stop playing the piano and move on to the next stage. She says that if she had known he was offering to teach her, she would have gone out with him.