This is a locked chapterCHAPTER 44: THE LOST CHILDREN
About This Chapter
The epigraph for this chapter is from a poem called "Knights of the Apocalypse." It's a poem about the seven deadly sins that plague the soul. In this chapter, we find out that the "seven deadly sins" cure the soul, but that they're not nearly as good as they used to be. In fact, they've got a lot worse than curing the soul: They've also got to cure the body. In other words, they have to cure both the soul and the body before they can cure one another. This is why the epigraph is so important, because it's the first time we've seen the body of the soul in this chapter. The body heals, but the soul heals only after the body has healed. This means that the body heals only when the soul is healed, not when the body is healed. So, if you're going to heal the body, you have to heal both the body and the soul at the same time. The first part of the poem is about the body healing, and the second part deals with the soul's healing. In the first part, we hear the voice of the body telling the body to heal, but in the second, the voice tells the body not to heal until it has healed itself. The second part is about healing the body until it heals itself, and in this case, that means healing the soul before the body can heal itself. So basically, the body needs to heal itself first, and then the soul will heal itself after it heals. The third part of this poem deals with curing the body after it has been healed, and this time, the soul needs to cure itself before it can cure itself. We've already seen that this is the case with the body that healed itself, so we can assume that this will be the case for the second body as well. This time, however, we'll see how the body healed itself first. The voice tells
This is a locked chapterCHAPTER 44: THE LOST CHILDREN
About This Chapter
The epigraph for this chapter is from a poem called "Knights of the Apocalypse." It's a poem about the seven deadly sins that plague the soul. In this chapter, we find out that the "seven deadly sins" cure the soul, but that they're not nearly as good as they used to be. In fact, they've got a lot worse than curing the soul: They've also got to cure the body. In other words, they have to cure both the soul and the body before they can cure one another. This is why the epigraph is so important, because it's the first time we've seen the body of the soul in this chapter. The body heals, but the soul heals only after the body has healed. This means that the body heals only when the soul is healed, not when the body is healed. So, if you're going to heal the body, you have to heal both the body and the soul at the same time. The first part of the poem is about the body healing, and the second part deals with the soul's healing. In the first part, we hear the voice of the body telling the body to heal, but in the second, the voice tells the body not to heal until it has healed itself. The second part is about healing the body until it heals itself, and in this case, that means healing the soul before the body can heal itself. So basically, the body needs to heal itself first, and then the soul will heal itself after it heals. The third part of this poem deals with curing the body after it has been healed, and this time, the soul needs to cure itself before it can cure itself. We've already seen that this is the case with the body that healed itself, so we can assume that this will be the case for the second body as well. This time, however, we'll see how the body healed itself first. The voice tells