The narrator tells us that he plays the radio while he's at work. He says that he used to listen to the "cable request line" or the "oricon hits" , but now he listens to "all night nippon" or "kiss fm" . The narrator says that it's "too bad that kiss-fm kobe" changed their programming from this spring. He's not sure what's going on, but he says that "misao" and ryo have been having an affair and that he'd better "take responsibility" for the whole thing. He also says that misao earned money by "running away" after being paid first. Aww, that's kind of gross, right? The narrator doesn't know what to make of this. He wonders if "everything" is for real, and he wonders if misao is pregnant. He asks if the two of them know each other, and if they're in love with each other. He knows that "Misao" has told her brother that she loves him, and that "things are working out" between them. He decides to go after the three of them.
The narrator tells us that he plays the radio while he's at work. He says that he used to listen to the "cable request line" or the "oricon hits" , but now he listens to "all night nippon" or "kiss fm" . The narrator says that it's "too bad that kiss-fm kobe" changed their programming from this spring. He's not sure what's going on, but he says that "misao" and ryo have been having an affair and that he'd better "take responsibility" for the whole thing. He also says that misao earned money by "running away" after being paid first. Aww, that's kind of gross, right? The narrator doesn't know what to make of this. He wonders if "everything" is for real, and he wonders if misao is pregnant. He asks if the two of them know each other, and if they're in love with each other. He knows that "Misao" has told her brother that she loves him, and that "things are working out" between them. He decides to go after the three of them.