The narrator opens his eyes and sees that his daughter is still ten years old. She's still the same age as he is. The narrator tells his dad that he needs to find a new audience for the series. He's worried that if they keep drawing for college students, they'll lose their audience. He wants to find something that will appeal to a broader age range. He asks the narrator if he can watch an asadora, which is a popular show at school. It's a show that covers someone's life from beginning to end, and the characters age over time. He says that's why they appeal to all ages. He decides to change the name of the series to kakushi, which means "younger" in Japanese. He tells the narrator that he's not here to see him or anything, but to talk about his father's work. The two men start talking about goto 11 and goto two, which the narrator describes as "the wrong idea." The narrator says that his dad would never be bored of him.
The narrator opens his eyes and sees that his daughter is still ten years old. She's still the same age as he is. The narrator tells his dad that he needs to find a new audience for the series. He's worried that if they keep drawing for college students, they'll lose their audience. He wants to find something that will appeal to a broader age range. He asks the narrator if he can watch an asadora, which is a popular show at school. It's a show that covers someone's life from beginning to end, and the characters age over time. He says that's why they appeal to all ages. He decides to change the name of the series to kakushi, which means "younger" in Japanese. He tells the narrator that he's not here to see him or anything, but to talk about his father's work. The two men start talking about goto 11 and goto two, which the narrator describes as "the wrong idea." The narrator says that his dad would never be bored of him.