The narrator tells us that he's not your sister, but his sister's dad refuses to acknowledge his younger sister. The narrator says that he warned you about that, and that's exactly what he did. He tells the audience that he doesn't know what's coming next. He's just worried about what will happen to him when he leaves the city. He asks his sister to stay with him so that he can protect him now. She agrees, and the narrator thanks her for coming to protect him. He says he'll be happy to see her soon, and then he leaves. He wants to check out some of the projects in the area, but he can't because they're too expensive. He warns his brother-in-law to get out of the way first, and he tells him to wait for him out on the street. He then tells the narrator to stop pretending to be wrong with him, and tells him that Macerate tried to fake his new car dirty, and Macerate got hit by the narrator's new car. Macerate, he says, got hit because the narrator was going too fast. He also tells Macerate to get off the road, and says that if Macerate wants to die, he should get lost now. He goes on to say that he knows what happened, and asks the narrator what he can do to stop Macerate from getting into trouble. He calls an ambulance, and thanks the narrator for coming. He wonders what the man was doing, and wonders if he was doing some kind of "post- modernist performance."