The narrator tells us that the whole of Africa has been spared from the horrors of war since the end of the Second World War. He says that he's thrilled to finally be able to create something that impresses him. The narrator says that every revolution needs a symbol, and the giant construct is one such symbol. He also says that the chassis in corporations is an experimental mental bennikov-layer, despite its size, making it extremely easy to transport. He tells the narrator that he has a decision to make: which of his young warriors should sit in the con-trols, and he asks the narrator if he enjoys feeling like steam is coming out of his nose. He replies that he doesn't, and says that japan sounds like a "messed lip place" . He goes on to say that he would not count on the "cyber brain" doing him any good out in the desert, as time is at a standstill. He adds that he knows of a super economic zone in the future that is ripe for picking fruit, and that he wants to know how they're going to solve the murder in the zone before the Chinese find out about it and demand they hand it over. He asks if the narrator has any good friends in the local police force, and asks if he could get some of the local cops to help him with the case. He's not sure if he'd be a good cop in Japan, but he does have some good news for the narrator: "I never really was an instructor warrior" , he says.