The director goes to the house of the woman with the oily hair in the pants and the shake in her face. He's not sure where the woman is, but he's sure she's there. The director is shocked to find that the woman's door is open, and that the opposite door is locked. He apologizes for not answering the phone, and says that he'll have a heart attack if he doesn't get home safely. He tells her that he gave her the wrong envelope and that he didn't want to use the money because it was too much. He says that if he hadn't answered his phone, he would have found out that she was talking to someone else. He goes on to say that he went through the whole thing to find her, and she is the one who's talking to him. He asks her to wait for them to talk, but she says she'll go to change her clothes. He makes her feel weird by making her feel like a ghost. She rushes to find out what's going on, and finds out that the box where she kept the sachet is missing.
The director goes to the house of the woman with the oily hair in the pants and the shake in her face. He's not sure where the woman is, but he's sure she's there. The director is shocked to find that the woman's door is open, and that the opposite door is locked. He apologizes for not answering the phone, and says that he'll have a heart attack if he doesn't get home safely. He tells her that he gave her the wrong envelope and that he didn't want to use the money because it was too much. He says that if he hadn't answered his phone, he would have found out that she was talking to someone else. He goes on to say that he went through the whole thing to find her, and she is the one who's talking to him. He asks her to wait for them to talk, but she says she'll go to change her clothes. He makes her feel weird by making her feel like a ghost. She rushes to find out what's going on, and finds out that the box where she kept the sachet is missing.