This chapter opens with a description of the hair quality of the "sister" . It is not like the "rugged" and "splitted hair" we see in the chapter. The sisters hair is "so good" that she knows how to care for it. Touch is used on it, even on the breast. The "sweet couple" posture is a sign that they are indeed engaged. The narrator is unhappy that he has been "unwittingly dragged into this" and that he will report the matter to the local magistrate. He is worried that the "sneaking of this sister" is like coming into the village "in broad daylight" to beat people's relationship. He fears that the current emperor will send a large volume of female corpses to be transported to the mountain every year. He has been suffering nightmares from them, and the purpose of these "dried corpses" is to draw the master who uses them to draw. He apologizes to the "king good feeling value" reduced by twenty.
This chapter opens with a description of the hair quality of the "sister" . It is not like the "rugged" and "splitted hair" we see in the chapter. The sisters hair is "so good" that she knows how to care for it. Touch is used on it, even on the breast. The "sweet couple" posture is a sign that they are indeed engaged. The narrator is unhappy that he has been "unwittingly dragged into this" and that he will report the matter to the local magistrate. He is worried that the "sneaking of this sister" is like coming into the village "in broad daylight" to beat people's relationship. He fears that the current emperor will send a large volume of female corpses to be transported to the mountain every year. He has been suffering nightmares from them, and the purpose of these "dried corpses" is to draw the master who uses them to draw. He apologizes to the "king good feeling value" reduced by twenty.