In the corridor of Mirs, a disembodied reaper is trying to break free of the seal that surrounds it. The disemour asks if there's a way to put the seal on the body of the reaper so that it won't be able to move around. The reaper thinks this is a good idea, but it's impossible, since their powers are the same: they're made of the same stuff. He asks if he can help him, but he can't, because he's such an oddball. He says that the reason why he'd be so proud of him is because he turned the man into a bore. The man who nurtured him, he says, knew that if he showed him affection, the man's life would be over. If anything, showing him love would only make him more likely to kill himself. He doesn't have a right to call the man a bore, because it'll only make the man easier to destroy. The scene ends with a shout from the mir, who says that he'll get rid of the man and bring him back.
In the corridor of Mirs, a disembodied reaper is trying to break free of the seal that surrounds it. The disemour asks if there's a way to put the seal on the body of the reaper so that it won't be able to move around. The reaper thinks this is a good idea, but it's impossible, since their powers are the same: they're made of the same stuff. He asks if he can help him, but he can't, because he's such an oddball. He says that the reason why he'd be so proud of him is because he turned the man into a bore. The man who nurtured him, he says, knew that if he showed him affection, the man's life would be over. If anything, showing him love would only make him more likely to kill himself. He doesn't have a right to call the man a bore, because it'll only make the man easier to destroy. The scene ends with a shout from the mir, who says that he'll get rid of the man and bring him back.