Five minutes have passed since the last scene, and we're back with the protagonist. He's still in prison, but he's happy to see what's going on around him. A bunch of villains have surrounded a flower in a cage, and they're all running wild. The protagonist is happy to be alive, because he loves life, and he loves the crown prince who's imprisoned him. The police have just arrested a third-rate rapper for beating up another one, and the protagonist wishes he could tell them who did it. He wants to know why the police didn't shoot the movie he was working on, and why the protagonist's boss is so apathetic. He tells the police that the movie is trash, and that the protagonist is dying, so the police should just give him a little money and let him have some fun. He doesn't care about the police boss, though, because no one in prison can survive without submission to the higher powers. He says that people in prison have been brainwashed by "fake hope," and that's why they shouldn't be allowed to return to their families. He asks the police to use the scandal surrounding the deposed prince's imprisonment as leverage to get his family back to their homes. They should also use the fact that the police arrested the rapper to drive him out of prison as well, so that no one will be able to accuse him of being involved in the rape of the woman he was supposed to rape. The scene ends with a soliloquy by the protagonist, in which he laments that he hasn't heard from his fan in a long time. He wonders why the young man is flirting with his ex-wife, and wonders why
Five minutes have passed since the last scene, and we're back with the protagonist. He's still in prison, but he's happy to see what's going on around him. A bunch of villains have surrounded a flower in a cage, and they're all running wild. The protagonist is happy to be alive, because he loves life, and he loves the crown prince who's imprisoned him. The police have just arrested a third-rate rapper for beating up another one, and the protagonist wishes he could tell them who did it. He wants to know why the police didn't shoot the movie he was working on, and why the protagonist's boss is so apathetic. He tells the police that the movie is trash, and that the protagonist is dying, so the police should just give him a little money and let him have some fun. He doesn't care about the police boss, though, because no one in prison can survive without submission to the higher powers. He says that people in prison have been brainwashed by "fake hope," and that's why they shouldn't be allowed to return to their families. He asks the police to use the scandal surrounding the deposed prince's imprisonment as leverage to get his family back to their homes. They should also use the fact that the police arrested the rapper to drive him out of prison as well, so that no one will be able to accuse him of being involved in the rape of the woman he was supposed to rape. The scene ends with a soliloquy by the protagonist, in which he laments that he hasn't heard from his fan in a long time. He wonders why the young man is flirting with his ex-wife, and wonders why