In this short scene, we learn that the protagonist, a young man of about 12 years old, has been pursued by a younger man. The younger man, whom we will call "Kun," tells the protagonist that he is the "only one" he sees and that he will accept all of the younger man's advances even when he does not act like he does. The protagonist, however, is not so sure. He feels that "all that eyes" for him have been "shouted out" by the older man, and he wishes that he could "give him a kiss and he will forgive you" . The young man, whose name is Krook, tries to convince the protagonist not to "s sulk" but to "just for today" , but the protagonist refuses to listen to him. He tells the young man that he has made him wet with his fingers, and that this wetness makes his mind "go blank." He tells Krook not to say that the wetness of his fingers makes his "mind go blank," and he tells him to put his hands "on the desk" and "can see every thing." Krook responds by saying that he can "see every thing" with his eyes, but that he cannot stand the "embar" because he wants to "see the real tamaki, not tamaki the real me." He says that if the other man were the only one watching
In this short scene, we learn that the protagonist, a young man of about 12 years old, has been pursued by a younger man. The younger man, whom we will call "Kun," tells the protagonist that he is the "only one" he sees and that he will accept all of the younger man's advances even when he does not act like he does. The protagonist, however, is not so sure. He feels that "all that eyes" for him have been "shouted out" by the older man, and he wishes that he could "give him a kiss and he will forgive you" . The young man, whose name is Krook, tries to convince the protagonist not to "s sulk" but to "just for today" , but the protagonist refuses to listen to him. He tells the young man that he has made him wet with his fingers, and that this wetness makes his mind "go blank." He tells Krook not to say that the wetness of his fingers makes his "mind go blank," and he tells him to put his hands "on the desk" and "can see every thing." Krook responds by saying that he can "see every thing" with his eyes, but that he cannot stand the "embar" because he wants to "see the real tamaki, not tamaki the real me." He says that if the other man were the only one watching