"My ravous boss hahug you as often as many likes i gave you" , says the narrator. "Suck no shiver / He shivers" . The narrator asks why there is so much "echo" in his voice when he pinches and pinches. He wonders if there is "nothing in the room" where he can hear his voice. He wants to know what the "best" thing to do would be to listen to his voice, and he wants to hear the "sound proof" of a music wall. He begs the narrator to put his tongue inside the wall, so that he can "put his head's spin . ." . and "no matter how much I lick lick tremble out ." The narrator wants to see the hug, but he can't stand the sound of it. He asks if he can shake his head and wait for the hug to come. He tells the narrator that he has just forced him to eat grass, and wants to "slip in a splat" so that
"My ravous boss hahug you as often as many likes i gave you" , says the narrator. "Suck no shiver / He shivers" . The narrator asks why there is so much "echo" in his voice when he pinches and pinches. He wonders if there is "nothing in the room" where he can hear his voice. He wants to know what the "best" thing to do would be to listen to his voice, and he wants to hear the "sound proof" of a music wall. He begs the narrator to put his tongue inside the wall, so that he can "put his head's spin . ." . and "no matter how much I lick lick tremble out ." The narrator wants to see the hug, but he can't stand the sound of it. He asks if he can shake his head and wait for the hug to come. He tells the narrator that he has just forced him to eat grass, and wants to "slip in a splat" so that