It's the morning of the second day of the shooting of the play, and we're sitting in the lobby of the theater watching the action unfold. We're interrupted by the sound of someone knocking on the door of the apartment building. The woman's secretary is there, too, and she's been working furiously on the script for the play. The secretary tells us that the play's already started shooting, so there's no way to alter the cast. The only way to do that, she says, is to invest some money in the script and rewrite it a little bit. That way, the actress will be able to play