"No match for him" is the title of this chapter's dialogue, and it's a direct quote from the play's first soliloquy, which was written by the same author who wrote "No Man's Land" . In this chapter, we find out that the guy in question is none other than "No Match for him," and that he's the one who "perverted stuff" to the point that "I keep remembering you" even when he wants to "jerk off." This is the first time that we've heard that the dude in question has been "conscious" of the guy's feelings for him, and we're pretty sure that's not the case. We also learn that this guy is "a busy body" , so he can't really help but find "re cute" whenever he sees one of his "friends." We're also told that "he" is a "kind kid" who's "actually a kind kid" because "I now . . I won't love you . You might act, i won1t hate you," and so on. We learn that "him" is
"No match for him" is the title of this chapter's dialogue, and it's a direct quote from the play's first soliloquy, which was written by the same author who wrote "No Man's Land" . In this chapter, we find out that the guy in question is none other than "No Match for him," and that he's the one who "perverted stuff" to the point that "I keep remembering you" even when he wants to "jerk off." This is the first time that we've heard that the dude in question has been "conscious" of the guy's feelings for him, and we're pretty sure that's not the case. We also learn that this guy is "a busy body" , so he can't really help but find "re cute" whenever he sees one of his "friends." We're also told that "he" is a "kind kid" who's "actually a kind kid" because "I now . . I won't love you . You might act, i won1t hate you," and so on. We learn that "him" is