In this short scene, we learn that the "scent" of the story is the "striptease" , who is the object of the affections of the "dancer" . We learn that "the stripper's" love "kaoru" a lot, and that "he" is a "huge fan" of "his" dance moves. We also learn that there are "not many male customers" at the striptease, which means that "there are not many male dancers" who are "friendly" with the "customers." The two of them go to "the strip" together, and "the dance" seems to be "trying to make the dance a little tired." The "customer" is trying to "make the dance on" and not to "push yourself too hard," which is "your biggest asset, after all," and "so sweet ! . . thank nao" for his "sweet act" when they're "at home," but "you act so sweet at home, get off !" and "rub be so cold" and "shut
In this short scene, we learn that the "scent" of the story is the "striptease" , who is the object of the affections of the "dancer" . We learn that "the stripper's" love "kaoru" a lot, and that "he" is a "huge fan" of "his" dance moves. We also learn that there are "not many male customers" at the striptease, which means that "there are not many male dancers" who are "friendly" with the "customers." The two of them go to "the strip" together, and "the dance" seems to be "trying to make the dance a little tired." The "customer" is trying to "make the dance on" and not to "push yourself too hard," which is "your biggest asset, after all," and "so sweet ! . . thank nao" for his "sweet act" when they're "at home," but "you act so sweet at home, get off !" and "rub be so cold" and "shut