In this short scene, Roxane's childhood friend, the painter rikuto, is described as "an erotic" and "meltover and over again" in an immoral "room" . She asks Roxane to imagine what it must be like to be "taken into her hus twitch" , and to imagine that her husband is coming home late from work, and that she wants him to "stir me up" with his "flirting arms" and his "prickering lips." She imagines that he is stroking her "smile" and that he "rubs and touches" her "deep inside." She then imagines a "swanga print" of hers, which she calls "sexy" because of its "peculiar" nature.
In this short scene, Roxane's childhood friend, the painter rikuto, is described as "an erotic" and "meltover and over again" in an immoral "room" . She asks Roxane to imagine what it must be like to be "taken into her hus twitch" , and to imagine that her husband is coming home late from work, and that she wants him to "stir me up" with his "flirting arms" and his "prickering lips." She imagines that he is stroking her "smile" and that he "rubs and touches" her "deep inside." She then imagines a "swanga print" of hers, which she calls "sexy" because of its "peculiar" nature.