After a snack shoot, the narrator pretends to be a lover. He asks the audience to imagine that they are in love with each other. He tells the audience that he has never been good at sexual stuff, but that now that he's an adult, he can't avoid it anymore. The narrator says that if he were a bad actor, he wouldn't be able to play a good role in a good one. He'd have to do it on a gut, which would be pointless, he says, because actors don't get over bad actors on their own.
After a snack shoot, the narrator pretends to be a lover. He asks the audience to imagine that they are in love with each other. He tells the audience that he has never been good at sexual stuff, but that now that he's an adult, he can't avoid it anymore. The narrator says that if he were a bad actor, he wouldn't be able to play a good role in a good one. He'd have to do it on a gut, which would be pointless, he says, because actors don't get over bad actors on their own.